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Talks Virtual
Wed, Jul 8 | 5:30pm PT

Join Animator and Story Artist Carole Holliday for behind-the-scenes stories from her work on Walt Disney Animation Studios’ Oliver & Company (1988), A Goofy Movie (1995), and Tarzan® (1999), and DreamWorks Animation’s The Prince of Egypt (1998).

Talks Virtual
Fri, Jul 10 | 5:30pm PT

Join Editor Ellen Keneshea for behind-the-scenes stories from her work on Walt Disney Animation Studios’ The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Atlantis: The Lost Empire (2001), and Meet the Robinsons (2007), as well as her work on the documentaries Waking...

Talks Virtual
Wed, Jul 22 | 5:30pm PT

Join Director Rob Minkoff for behind-the-scenes stories from his work on The Lion King (1994), Stuart Little (1999), The Haunted Mansion (2003), The Forbidden Kingdom (2008), Mr. Peabody & Sherman (2014), and his upcoming production Blazing Samurai (2021)—an animated re-imagining of Mel Brooks’ Blaz...

Workshops Virtual
Sat, Aug 29 | 10:30am–noon

The moment a piece of art comes together just right can be a thrilling and uplifting experience which fills the artist with confidence in their artistic ability. Confidence is key for encouraging artists and animators to keep going even as the work gets difficult and they encounter unexpected...

Workshops Virtual
Sat, Aug 29 | 1–2:30pm

The moment a piece of art comes together just right can be a thrilling and uplifting experience which fills the artist with confidence in their artistic ability. Confidence is key for encouraging artists and animators to keep going even as the work gets difficult and they encounter unexpected...

Workshops Virtual
Sat, Sep 12 | 10:30am–noon

Traditional hand-drawn animation requires an incredibly high number of individual drawings for each piece of movement. It has been estimated that classic animators like Walt Disney’s Nine Old Men were able to complete from 14–24 seconds of animation per week. If each second of animation requires 24...

Workshops Virtual
Sat, Sep 12 | 1–2:30pm

Traditional hand-drawn animation requires an incredibly high number of individual drawings for each piece of movement. It has been estimated that classic animators like Walt Disney’s Nine Old Men were able to complete from 14–24 seconds of animation per week. If each second of animation requires 24...

Workshops Virtual
Sat, Sep 26 | 10:30am–noon

Animation often involves long hours of work hunched over a light table or computer, which is not always good for an artist’s posture. After spending a long time working on a piece of animation while bent over in an uncomfortable pose, the artist’s back might start to hurt. In this installment of our...

Workshops Virtual
Sat, Sep 26 | 1–2:30pm

Animation often involves long hours of work hunched over a light table or computer, which is not always good for an artist’s posture. After spending a long time working on a piece of animation while bent over in an uncomfortable pose, the artist’s back might start to hurt. In this installment of our...

Films
Wed–Sun | 2pm

When Goofy maps out a cross-country summer road trip to Lake Destiny, Idaho, his son Max changes the route to Los Angeles for a pop concert without his father’s knowledge. Will this father-son duo be able to see “I 2 I” by the end of their journey? Grab your fishing rod and join us this July as we...

Workshops Virtual
Sun, Jul 19 | 10:30am–12:30pm

Whether capturing an iconic moment in a film narrative or an attraction experience, posters have played a crucial role in Disney history and served many purposes. In this workshop, join us as we explore the history of Disney poster designs and learn what elements are utilized in developing a...

Workshops
Sun, Aug 16 | 10:30am–12:30pm

When Disneyland first opened its gates 65 years ago, one of the attractions that opened with the Park was Mad Tea Party. On this dizzying ride, guests sit in oversized teacups which spin wildly to the accompaniment of jaunty music. Each teacup features a unique painted design that is simple, yet...

Workshops Virtual
Sun, Aug 23 | 10:30am–12:30pm

Before Walt and other early animators produced hand-drawn animated short films, innovators in the 19th century created optical toys like the zoetrope. By spinning a zoetrope and peering through the viewing slits, one could watch the images inside move and appear to come to life. Inventions like the...

Workshops Virtual
Sun, Sep 13 | 10:30am–12:30pm

Before he started producing his own Laugh-O-gram films, Walt Disney worked for the Kansas City Film Ad Company producing stop-motion commercials using paper cutout animation. Join us and learn more about the history of stop-motion animation, learn techniques of how to create hinged paper puppets...

Workshops Virtual
Sat, Jul 11 | 10:30am–noon

Whether it be by painting self-portraits, identifying personal traits within their characters, or making caricatures of colleagues during studio meetings, artists have long used themselves as a source of inspiration and reference. In the upcoming set of Studio Series workshops, look inward and use...

Workshops Virtual
Sat, Jul 11 | 1–2:30pm

Whether it be by painting self-portraits, identifying personal traits within their characters, or making caricatures of colleagues during studio meetings, artists have long used themselves as a source of inspiration and reference. In the upcoming set of Studio Series workshops, look inward and use...

Workshops Virtual
Sat, Jul 25 | 10:30am–noon

Every artist has experienced it—the paralyzing lack of inspiration when faced with a blank page. In this installment of our Studio Series, learn about anticipation, exaggeration, and character animation as you create your own animation of an animator struggling with an art block.

Workshops Virtual
Sat, Jul 25 | 1–2:30pm

Every artist has experienced it—the paralyzing lack of inspiration when faced with a blank page. In this installment of our Studio Series, learn about anticipation, exaggeration, and character animation as you create your own animation of an animator struggling with an art block.

Workshops Virtual
Sat, Aug 15 | 10:30am–noon

It is widely accepted that we are our own worst critics, and artists are no exception. Even the most experienced artists can be unsatisfied with a piece of work and start to doubt their skill. When embraced, self-doubt can actually be an important part of the artistic process as it motivates the...