Veteran Disney producer and Walt Disney Family Museum Advisory Board member Don Hahn has recently completed work as Curator of our newest special exhibition, Walt Disney’s Nine Old Men: Masters of Animation.
Make Believe: The World of Glen Keane is open through September 3, 2018 in the Lower Lobby and Theater Gallery at The Walt Disney Family Museum.
Following the success of his attractions at Disneyland, Walt Disney developed four attractions for the 1964-65 New York World’s Fair: Great Moments with Mr. Lincoln, Progressland, “it’s a small world,” and Ford Magic Skyway.
In June of 1963, Walt Disney’s Enchanted Tiki Room opened its doors for the very first time. The birds sang words, the flowers crooned, and the guests stared, awestruck, at the attraction’s feathered inhabitants.
Like most of Walt’s greatest stories, Zorro unabashedly embraced a sense of fun and adventure.
Of all the countless stories and anecdotes about Walt Disney, one of the most iconic and oft-recounted by those who knew him was of the fateful evening in the mid-1930s when Walt assembled his core group of artists in the sound stage at the Disney studio on Hyperion Avenue. There, without aid or introduction, Walt single-handedly performed the story of what would become Snow White and the Seven Dwarfs (1937).
Joshua Meador (1911-1965) had two careers: he is best known for his special animation effects work at The Walt Disney Studios for nearly 30 years and, away from Disney, he established himself as a major California landscape painter.
On the film, Sleeping Beauty, Eyvind Earle was given total artistic control by Walt Disney, overseeing all visual development but it was on Lady and the Tramp that this style first found its way into a Disney feature.
On Disneyland’s opening day in 1955, guests laid eyes on the King Arthur Carrousel for the very first time, together with other now-classic attractions.
Author and historian Ross Care is speaking at The Walt Disney Family Museum this month about his recent book, “Disney Legend Wilfred Jackson: A Life in Animation.”