Released March 16, 1961, the film came in the middle of a record year for The Walt Disney Studios during which time Walt released three of the six highest-grossing films of the year—One Hundred and One Dalmatians (1961) came in at third while The Parent Trap (1961) came in sixth, just behind The Absent-Minded Professor—outgrossing notables like Breakfast at Tiffany’s (1961) starring Audrey Hepburn.
Flubber didn’t have to be realistic in the sense that it could actually be created—it just had to be believable.
As the 1960s came into view, Walt Disney continued to double down on the Disney Studios’ foray into live-action, which began a decade earlier with 1950’s Treasure Island. In particular, he made Fred MacMurray a central figure in Disney’s live-action comedies.
It is with great sadness that we share the news that Disney Legend Alice Davis has passed away. To the world, Alice Estes Davis was best known for her work with Walt Disney as a costume designer. To the Board and staff at The Walt Disney Family Museum, Alice was an inspiring collaborator, kind-hearted benefactor, and cherished friend.
Although United Artists had more than doubled Disney’s budget, color was a risk that concerned them. Disney would not make its first color picture for the popular Mickey Mouse series, but rather the distinctive and often experimental series of stand-alone short subjects, the Silly Symphonies. Directed by Burt Gillett, the chosen short was a tale of plants and animals, Flowers and Trees (1932).
The Walt Disney Family Museum is pleased to present its newest special exhibition, Walt Disney’s The Jungle Book: Making a Masterpiece, in celebration of the beloved animated classic’s 55th anniversary. Premiering in 1967, The Jungle Book was a huge success, largely due to its music and compelling hand-drawn animation.
When Walt Disney and his eponymous company entered the new decade of the 1960s, there was no doubt that The Walt Disney Company was on the move.
Upon its release in late 1942, the Disney cartoon Der Fuehrer’s Face became a smash hit in the United States, winning the Academy Award® for Best Short Subject in 1943. But the home front was not its only theater of action. Der Fuehrer’s Face went overseas, and served the war effort in more ways than one. “It was the most popular propaganda film we had,” Walt Disney told journalist Pete Martin in the 1950s.
When the United States entered World War II in 1941, Walt Disney had been busy challenging commonly-held perceptions about animated cartoons. A medium once largely relegated to novelty, Disney’s animated films offered drama and pathos along with humor and song. Walt spent more than a decade elevating the art form to new levels of technique, performance, and quality.
In the spirit of the season, the museum has in its collection a string of lights featuring delightful Disney Christmas artwork.