Join us for this frightfully fun Halloween panel as artists and creators behind the holiday stop-motion favorite, Tim Burton’s The Nightmare Before Christmas (1993), discuss the making of this groundbreaking animated masterpiece and memories from working on set alongside the creative genius Tim Burton.
About the Speakers
Before working in animation, Kat Alioshin worked her last college quarter at University of California, San Diego assisting the prop master on a feature film called Break of Dawn. Alioshin moved to Los Angeles in 1987 and worked on several low-budget features as Property Master Assistant. One notable film was Murder in Law with Joe Estevez. Having paid her dues in Hollywood, she moved to San Francisco in 1989 and continued working on features, music videos, and countless TV commercials. As a production assistant, she worked on Dying Young, Pacific Heights and MC Hammer’s Pray.
Alioshin met film festival producers Craig “Spike” Decker and Mike Gribble in 1985 in San Diego and was part of their publicity and ticket sales team, traveling with them up and down the California coast. She remained a close friend to Decker and made a documentary, Animation Outlaws (2020), about Spike and Mike’s Festival of Animation.
Alioshin is passionate about all forms of animation but has specialized in stop-motion animation since 1991. Starting with Tim Burton’s The Nightmare Before Christmas (1993) through Coraline (2009). She was Director of Photography on Some Divine Wind (1992), now in the permanent collection at New York Museum of Modern Art. On James and the Giant Peach (1996) she was Assistant Director to Director Henry Selick and continues to collaborate with him. The stop-motion/live-action mixed short film Mermaids on Mars (2015) won the Carmel Film Festival Animation Award along with 21 other festival awards across the country. She received critical acclaim for producing the “Life with Loopy” segment on the Nickelodeon show KaBlam! Alioshin collaborated on the budget for the stop-motion feature The Inventor by Jim Capobianco. Continuing in a tradition of keeping stop-motion history alive, she co-hosts a podcast called The We Know Jack Show featuring interviews of crew members from Tim Burton’s The Nightmare Before Christmas.
Alioshin was born in San Diego and has lived in Los Angeles and San Francisco. She currently lives in Palo Alto, California with her two young adult children.
Fon Davis is creative director and founder of Fonco Studios. Fonco is a full-service production facility that handles projects often deemed impossible by other studios. Davis appears on Prop Culture, Battlebots, Cake Masters, Superfan Builds, and as an instructor at the Stan Winston School. In his three-decade career, Davis has worked on over 40 feature films. As an alumnus of the Industrial Light and Magic Model Shop, Davis has worked on Starship Troopers (1997), Galaxy Quest (1999), Pearl Harbor (2001) feature films, as well as the Star Wars, Matrix, Terminator, Mission Impossible, and Jurassic Park franchises. In addition to his work in visual effects, Davis has also worked in Disney's art departments and on several stop-motion projects including The Nightmare Before Christmas (1993) and Coraline (2009). More recently Fon has worked on Guardians of the Galaxy (2014), Interstellar (2014), Arrested Development, The Carbonaro Effect, and Sarah Silverman's I Love You, America.
Kathleen Gavin brought her extensive production experience in theater and animation to her role as Senior Vice President, Special Projects, for Walt Disney Feature Animation. Her main responsibilities included overseeing the development and production of The Walt Disney Studios’ outside animated projects as well as overseeing animated films that capitalize on new technology. Her assignments included Toy Story 2 (1999), done in collaboration with Pixar, Fantasia 2000 (1999), and Dinosaur (2000).
A native of Chicago, Gavin attended Marquette University before launching her professional career in the area of advertising and media-buying. In 1976, she began a three-year association with the prestigious St. Nicholas Theater in Chicago, where she was involved as a stage manager on such productions as David Mamet’s The Water Engine and Lanford Wilson’s Fifth of July. During that time, she first worked with Peter Schneider, who went on to become President of Disney’s Feature Animation division. Starting in 1979, Gavin served a two-year stint as Production Manager for Mayor Jane Byrne’s Office of Special Events and organized outdoor concerts, neighborhood festivals, and parades for the city of Chicago.
Moving to Los Angeles in 1981, Gavin worked as a production manager on numerous industrial and low-budget films. From 1983–4, she served as Project Manager for the theater portion of the 1984 Olympic Arts Festival and was reunited with Schneider, who invited her to join him at Disney. She worked as Production Manager of Walt Disney Pictures’ 1988 animated hit Oliver & Company, and took on expanded duties as associate producer for the studio’s 1990 animated release, The Rescuers Down Under.
Gavin was also co-producer of Touchstone Pictures’ innovative stop-motion animated-fantasy, Tim Burton’s The Nightmare Before Christmas (1993). Transplanted to San Francisco for over two years to set up Skellington Productions, she was responsible for supervising the daily operations involved in the making of the film.
In 1994, Gavin returned to Burbank as Vice President of Production. In this capacity, she was responsible for overseeing the original Toy Story (1995), the first computer-generated animated feature done in collaboration with Pixar; and Runaway Brain (1995), the first Mickey Mouse short film since 1953. Gavin was promoted to Senior Vice President in 1996. Her first order of business was to oversee the construction of a new digital studio built for the production of Dinosaur. She continued to work with Pixar and to oversee numerous projects, including Fantasia 2000, in what Pixar producer Ralph Guggenheim dubbed her “Lunatic Fringe” group until her retirement in 2006.
Since leaving Disney, she has volunteered with a number of non-profits including serving as President of the Board for the Atwater Park Center, a school for young special needs children, with a specific focus on kids with autism. She is currently president of the LA County Women’s Golf Association.
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Tickets for Crowning the Pumpkin King: The Building of a Disney Nightmare are available as follows:
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